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Articles in this section


THEME ELABORATION TECHNIQUES IN 20TH-CENTURY FUGUE (Papers SGEM2018)

G. Vlahopol
Friday 9 November 2018 by Libadmin2018
ABSTRACT The subject is the key element, the basis of the structure of the fugue form due to its melodic, rhythmic, harmonic and polyphonic features. Even from the Baroque period, the development and the final entry were the sections with the most innovative constructive aspects due to a (...)


MODERN RECEPTION OF THE MUSICIAN FRANCIS POULENC (Papers SGEM2018)

L. V. Iatesen
Friday 9 November 2018 by Libadmin2018
ABSTRACT What Francis Poulenc means for today’s listener? Successful musician of the 20th century, having a huge success with the public, the French artist, who was brought up and created in a fascinating musical and cultural environment, and whose sources of inspiration, creative directions, (...)


MORAL CONTENT OF OPERAS BY V. MOZART IN THE N. ARNONCOURT PERFORMANCE INTERPRETATIONS (Papers SGEM2018)

S. Karkina
Friday 9 November 2018 by Libadmin2018
ABSTRACT Describing the Mozart style, the Austrian conductor-authenticator Nikolaus Harnoncourt compared his music with a mirror, which reflects the most bitter conflicts of humanity, while remaining unresolved. According to the conductor, the strength of the moral impact of Mozart’s music is (...)


"INSPIRATION BANK" PROJECT – SOCIALLY ENGAGED ART IN URBAN SPACES: THE CASE STUDY OF GDANSK (Papers SGEM2018)

J. Borucka
Friday 9 November 2018 by Libadmin2018
ABSTRACT The article discusses the role of art in the city, particularly its transformative role in merging the processes of public participation and the regeneration of public spaces. It discusses the practical aspects of citizen engagement in the artistic projects in public city space. The (...)


STYLISTIC ASPECTS OF VOCAL INTERPRETATION IN THE CONTEXT OF NON-ART MUSIC (Papers SGEM2018)

I. S. Pandiova
Friday 9 November 2018 by Libadmin2018
ABSTRACT The paper draws attention to the stylistic aspects of vocal interpretation in the historical context of the genres and forms of non-art music. The increasingly wide range of genres, along with the unstoppable development of technology and the media, gave rise to the necessity of (...)


THE DYNAMICS OF THE SOUND AND THE MEANS OF OBTAINING A PERSONALISED MUSICAL MARK FOR THE CLASSICAL GUITAR (Papers SGEM2018)

G. C. Voicescu
Friday 9 November 2018 by Libadmin2018
ABSTRACT Research conducted so far by the influential representatives of the classical guitar’s development has left its mark in various historical periods with the help of musical works which mirror the evolution of the guitar itself, perfecting the means of musical expressivity, which creates (...)


THE EMBODIMENT OF ETHNOMUSIC TRADITIONS IN THE CREATIVE WORK OF YOUNG COMPOSERS OF TATARSTAN (Papers SGEM2018)

N. K. Nurgayanova, E. V. Kovrikova
Friday 9 November 2018 by Libadmin2018
ABSTRACT In the national musical art of the 21st century, there is a tendency of active conversion to folklore, an interest in folk "roots" is increasing, and the study and expression of ethnic music traditions in composer creativity. Creating modern national works, young composers of (...)


THE ROMANIAN MUSIC OF BYZANTINE TRADITION AND THE FOLKLORIC GENRE “DOINA”. STYLE FEATURES AND MELODIC CORRESPONDENCE (Papers SGEM2018)

M. Rucsanda, A. Belibou
Friday 9 November 2018 by Libadmin2018
ABSTRACT Over the centuries, the meeting between the religious music and the secular musical inheritance took place in various ways, some visible, other hidden. This paper aims to synthesise the correspondence between the Romanian byzantine music and ‘doina’, identifying the reciprocal (...)


THE SYMBOLISM OF THE MOUNTAIN IN THE EUROPEAN AND ROMANIAN SYMPHONIC CREATION CASE STUDY: RICHARD STRAUSS - ALPINE SYMPHONY AND CSÍKY BOLDIZSÁR - THE MOUNTAIN TONE POEM (Papers SGEM2018)

M. Rusu, G. Dutica
Friday 9 November 2018 by Libadmin2018
ABSTRACT Background: This analytical approach aims to accentuate the interconnections between two universes which are apparently in contradiction: ideal and pragmatic, or symbol and sound. The mountain – viewed as a place of creative inspiration – represents a leitmotif of creation in most of (...)


CREATIVE PLACEMAKING IN POLAND. CAN ART BECOME AN EFFECTIVE TOOL OF URBAN REGENERATION?! (Papers SGEM2018)

M. Rembeza
Friday 9 November 2018 by Libadmin2018
ABSTRACT The main aim of the paper is to examine the role of creative placemaking in shaping the urban environment in Polish cities. It also focuses on challenges and obstacles that creative placemaking projects encounter in Polish realities. Creative placemaking is a “micro-development” (...)


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